Elsa Schiaparelli (1890—1973). Italian fashion designer. She defined the meaning of avant-garde couture.

Elsa Schiaparelli (1890—1973). Italian fashion designer. She defined the meaning of avant-garde couture.

Elsa Schiaparelli - my favourite surrealist fashion designer...love the golden hair sleeve on this 1937 embroidered piece.

Tous les matins du monde sont sans retour

Blouse.  Elsa Schiaparelli  (Italian, 1890–1973).  Date: ca. 1937. Culture: French. Medium: rayon. Dimensions: Length at CB: 21 1/2 in. (54.6 cm).

Blouse. Elsa Schiaparelli (Italian, 1890–1973). Date: ca. 1937. Culture: French. Medium: rayon. Dimensions: Length at CB: 21 1/2 in. (54.6 cm).

1949. Salvador Dali and Elsa Schiaparelli Jewelry Collaboration. Elsa Schiaparelli was influenced by Surrealist art. Salvador Dalí was a prominent surrealist painter born in Figueres, Catalonia, Spain. Photo by ?

1949. Salvador Dali and Elsa Schiaparelli Jewelry Collaboration. Elsa Schiaparelli was influenced by Surrealist art. Salvador Dalí was a prominent surrealist painter born in Figueres, Catalonia, Spain. Photo by ?

uncanny - I haven't seen this before but used this idea for a dress I made for a Surrealism exhibition preview party...

uncanny - I haven't seen this before but used this idea for a dress I made for a Surrealism exhibition preview party...

Elsa Schiaparelli. Manteau de soirée (automne 1937) : Également réalisée avec la collaboration de Jean Cocteau, ce manteau d'un mauve vespéral, brodé de deux visages qui se ...

Elsa Schiaparelli. Manteau de soirée (automne 1937) : Également réalisée avec la collaboration de Jean Cocteau, ce manteau d'un mauve vespéral, brodé de deux visages qui se ...

Elsa Schiaparelli and Dalí’s: Lobster Dress | studio t

Elsa Schiaparelli and Dalí's: Lobster Dress

An Elsa Schiaparelli couture deep fuchsia velvet evening coat, late 1930s, bearing printed petersham Paris label and numbered 91184, the front bodice with curved multi-darted seams which sweep down to form a curve at the narrow rear waist, with dramatic fan-shaped pleats forming leg o' mutton sleeves, four large celluloid disc buttons inset with glitter and beads, high stand angular collar, silk lining, chest approx 86cm, 34in

An Elsa Schiaparelli couture deep fuchsia velvet evening coat, late 1930s, bearing printed petersham Paris label and numbered 91184, the front bodice with curved multi-darted seams which sweep down to form a curve at the narrow rear waist, with dramatic fan-shaped pleats forming leg o' mutton sleeves, four large celluloid disc buttons inset with glitter and beads, high stand angular collar, silk lining, chest approx 86cm, 34in

Elsa Schiaparelli, evening gloves, 1936- In style by Doors Lifestyle. Visit www.doorslifestyle.com and subscribe for insider's hidden style treasures

Elsa Schiaparelli, evening gloves, 1936- In style by Doors Lifestyle. Visit www.doorslifestyle.com and subscribe for insider's hidden style treasures

elsa schiaparelli dress, 1951                                                                                                                                                                                 More

Remembering Elsa Schiaparelli: A Look at the World’s First Surrealist Fashion Designer

⍙ Pour la Tête ⍙ hats, couture headpieces and head art - Elsa Schiaparelli

⍙ Pour la Tête ⍙ hats, couture headpieces and head art - Elsa Schiaparelli

schiaparelli hand belt. She pioneered the concept of themed collections—designing around the idea of the Zodiac, say, or Music

schiaparelli hand belt. She pioneered the concept of themed collections—designing around the idea of the Zodiac, say, or Music

Elsa Schiaperelli 1927

Elsa Schiaparelli

Elsa Schiaparelli | blue gloves with golden butterflies

currently: designer elsa schiaparelli

Elsa Schiaparelli zodiac jacket 1938                                                                                                                                                                                 More

Elsa Schiaparelli zodiac jacket 1938 More

Elsa Schiaparelli 1933 New York  She moved the center of interest into the shoulder, which she began to widen, accentuated them by pleats, padding,  braid.  This silhouette remains popular through WWII.

Elsa Schiaparelli 1933 New York She moved the center of interest into the shoulder, which she began to widen, accentuated them by pleats, padding, braid. This silhouette remains popular through WWII.

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