Vestido de baile   ca. 1870   Vestido formado por cuerpo y falda en raso de seda en color malva. El cuerpo, armado con ballenas, tiene un amplio escote en delantero y espalda, y lleva manga corta. La falda, con amplio vuelo en la espalda y con cola, va decorada en la parte posterior con una doble lazada guarnecida con encaje de Chantilly.  MT098412-14

Vestido de baile ca. 1870 Vestido formado por cuerpo y falda en raso de seda en color malva. El cuerpo, armado con ballenas, tiene un amplio escote en delantero y espalda, y lleva manga corta. La falda, con amplio vuelo en la espalda y con cola, va decorada en la parte posterior con una doble lazada guarnecida con encaje de Chantilly. MT098412-14

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Ball gown (image 2) | probably American | 1860 | silk, cotton | Metropolitan Museum of Art | Accession Number: 1983.479.1a–c

Ball gown (image 2) | probably American | 1860 | silk, cotton | Metropolitan Museum of Art | Accession Number: 1983.479.1a–c

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Ballgown, the Netherlands, ca. 1870-75. Silk trimmed with satin, 2 pieces. Bodice has low, oval neck, very short, tight sleeves, empire waist, and trailing queue; white cotton lining. Skirt has pleated linen waistband, closing behind with hooks & eyes. Vertical ruffles sewn onto lower half. Mode Museum, Antwerp, via Europeana Fashion

Ballgown, the Netherlands, ca. 1870-75. Silk trimmed with satin, 2 pieces. Bodice has low, oval neck, very short, tight sleeves, empire waist, and trailing queue; white cotton lining. Skirt has pleated linen waistband, closing behind with hooks & eyes. Vertical ruffles sewn onto lower half. Mode Museum, Antwerp, via Europeana Fashion

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Edwin Hutcheson's photo. 1912

Edwin Hutcheson's photo. 1912

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A magnificent light blue silk 1860s crinoline two piece evening gown. The skirt has a short train and is embroidered in white with classical motifs, the bodice has similar embroidery and is trimmed with lace. The colour is still fantastic , the overall impression is of a piece of Wedgewood.

A magnificent light blue silk 1860s crinoline two piece evening gown. The skirt has a short train and is embroidered in white with classical motifs, the bodice has similar embroidery and is trimmed with lace. The colour is still fantastic , the overall impression is of a piece of Wedgewood.

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Black dress worn by Alexandra Feodorovna (State Hermitage Museum - St. Petersburg, Russia) From madameguillotine.org.uk:2011:01:08:dresses-of-the-last-two-romanov-empresses:

Black dress worn by Alexandra Feodorovna (State Hermitage Museum - St. Petersburg, Russia) From madameguillotine.org.uk:2011:01:08:dresses-of-the-last-two-romanov-empresses:

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Robe à transformation, 1865-68  From Les Arts Décoratifs via Europeana FashionFripperies and Fobs

Robe à transformation, 1865-68 From Les Arts Décoratifs via Europeana FashionFripperies and Fobs

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custom authentic Civil War era, Victorian, 1860's, 19th century day dress and ball gown by BatisteAndFrenchLace.   https://www.facebook.com/BatisteAndFrenchLace  www.etsy.com/shop/BatisteandFrenchLace

custom authentic Civil War era, Victorian, 1860's, 19th century day dress and ball gown by BatisteAndFrenchLace. https://www.facebook.com/BatisteAndFrenchLace www.etsy.com/shop/BatisteandFrenchLace

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1868. Ball-dress of champagne gros  de tours and Chantilly lace. From the Gemeente Museum den Haag, but the  origin of the dress may be France.

1868. Ball-dress of champagne gros de tours and Chantilly lace. From the Gemeente Museum den Haag, but the origin of the dress may be France.

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Evening Gown: ca. 1890's. Victorian fashion exhibit, Riga.

Evening Gown: ca. 1890's. Victorian fashion exhibit, Riga.

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