Richard Serra, "The Matter of Time", 2005, installation of eight sculptures of steel sheets, 12-14 ft high and 44-276 tons, Guggenheim Museum, Bilbao, Spain.

Richard Serra, "The Matter of Time", 2005, installation of eight sculptures of steel sheets, 12-14 ft high and 44-276 tons, Guggenheim Museum, Bilbao, Spain.

Gehry meets Richard Serra. Between the Torus and the Sphere (Toruaren eta esferaren artean). 2003-2005 - Guggenheim Museum

Gehry meets Richard Serra. Between the Torus and the Sphere (Toruaren eta esferaren artean). 2003-2005 - Guggenheim Museum

Richard Serra’s “Te Tuhirangi Contour” at the Gibbs Farm Sculpture Park.

Richard Serra’s “Te Tuhirangi Contour” at the Gibbs Farm Sculpture Park.

Artchiculture: Richard Serra

Artchiculture: Richard Serra

Richard Serra, modern sculptor

Richard Serra.

Richard Serra, modern sculptor

RICHARD SERRA, INTERSECTION II 1992-93: walking in and around giant sculptures.  One of my very favorite artists

RICHARD SERRA, INTERSECTION II 1992-93: walking in and around giant sculptures. One of my very favorite artists

Serra made One Ton Prop (House of Cards) “Even though it seemed it might collapse, it was in fact freestanding. You could see through it, look into it, walk around it, and I thought, ‘There’s no getting around it. This is sculpture.’”

Serra made One Ton Prop (House of Cards) “Even though it seemed it might collapse, it was in fact freestanding. You could see through it, look into it, walk around it, and I thought, ‘There’s no getting around it. This is sculpture.’”

museumuesum:  Richard Serra Balanced, 1970 Hot-rolled steel, 97 x 62 x 1 inches

museumuesum: Richard Serra Balanced, 1970 Hot-rolled steel, 97 x 62 x 1 inches

Richard Serra : Torqued Ellipse - no way to describe how it makes you feel to experience

Can cold, hard steel turn sinuous? Richard Serra's enormous sculptures snake through space, time.

Richard Serra : Torqued Ellipse - no way to describe how it makes you feel to experience

«No existen mejores ni peores materiales, sino distintas sensibilidades en el proceso creativo»  Ver la obra de Serra en vivo es impresionante; la fotografía no le hace justicia a su trabajo. La pesadez del material en equilibrio en una perfecta ligereza con el espacio es única.Uno de los escultores vivos más importantes de la historia del …

Richard Serra, el material es una excusa para la creación artística

«No existen mejores ni peores materiales, sino distintas sensibilidades en el proceso creativo» Ver la obra de Serra en vivo es impresionante; la fotografía no le hace justicia a su trabajo. La pesadez del material en equilibrio en una perfecta ligereza con el espacio es única.Uno de los escultores vivos más importantes de la historia del …

Pinterest
Hľadať