Massimo Vignelli

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Florencia Helguera
I really like this quote. I think mainly because it encompasses so much more than personal style or handwriting. I've realized as I'v. Great Quotes, Quotes To Live By, Inspirational Quotes, Motivational Monday, Uplifting Quotes, The Words, Words Quotes, Life Quotes, Sayings
Great QuotesThe WordsLife Quotes

andré hansen

Tumblr Blog

Graphis Annual Design by Massimo Vignelli. Poster Design, Graphic Design Layouts, Modern Graphic Design, Graphic Design Typography, Graphic Design Illustration, Graphic Design Inspiration, Book Design, Design Art, Print Design

Creative Reform, Movement, Lunatic, Fringe, and Cover image ideas & inspiration on Designspiration

Saved by Shelby White (@shelbywhite). Discover more of the best Reform, Movement, Lunatic, Fringe, and Cover inspiration on Designspiration

Product information sheet for Heller Dinnerware, 8 x Box Massimo and Lella Vignelli papers, Vignelli Center for Design Studies, Rochester, New York Vintage Typography, Graphic Design Typography, Vintage Logos, Print Layout, Layout Design, Design Design, Massimo Vignelli, Grid, Swiss Design

Dark Side of Typography

jonasgrossmann: “massimo vingelli… heller product information sheets @ vignellicenter ”

Massimo and Lella Vignelli Vintage Graphic Design, Graphic Design Inspiration, Web Design, Layout Design, International Typographic Style, Modulo 2, Massimo Vignelli, Typographic Design, Vintage Typography
Graphic Design InspirationWeb DesignVintage Typography

Collezione Unimark International | Biblioteca | XXXIII - 33a Biennale Internazionale d’Arte

Sito ufficiale dell'Associazione che riunisce i progettisti grafici italiani

Typographic poster design by Massimo Vignelli Typography Layout, Typography Poster, Graphic Design Typography, Graphic Design Illustration, Graphic Design Art, Lettering, Massimo Vignelli, Magazin Design, Plakat Design

Salone Posters

The original apartment, located in the Grazia district, was dark and disjointed.

The Herald Newspaper Design, Massimo Vignelli Cv Design, Retro Design, Book Design, Layout Design, Branding Design, Newspaper Layout, Newspaper Design, Massimo Vignelli, Composition
Book DesignNewspaper DesignComposition

32601011741 × Der Gestaltingenieur

Visual inventory of Miguel Amaral, designer.

Massimo Vignelli & Bob Noorda / New York City Transit Authority / Brand Guidelines / 1970 Typography Layout, Lettering, Grid, Massimo Vignelli, Corporate Design, Corporate Identity, Cultural Identity, Identity Branding, Visual Identity
Typography LayoutGridCorporate Design

A modular system

Soulellis.com is an online design journal founded in 2001, featuring ephemera, commentary and work by Paul Soulellis.

Massimo Vignelli – Design proposal for The European Journal Graphic Design Books, Graphic Design Typography, Book Design, Journal Design, News Design, Massimo Vignelli, Newspaper Layout, Newspaper Design, International Typographic Style
Graphic Design BooksGraphic Design TypographyBook DesignNews DesignNewspaper Design

Proposed Design for The European Journal

1976 Denver Winter Olympics Poster - denver 76 poster by massimo vignelli via aisle one denver 76 poster by massimo vignelli via aisle o - Massimo Vignelli, Web Design, Design Art, Logo Design, Retro Design, Print Design, Modern Design, Creative Posters, Cool Posters
Web DesignDesign ArtModern DesignCool Posters

by massimo vignelli

This post features images* of some of Vignelli’s most iconic work. As well as an interview with Vignelli about how he called Emigre magazine and Emigre fonts “garbage” and “an aberration of culture. Web Design, Layout Design, Print Design, Massimo Vignelli, Emigre Magazine, Michael Bierut, Subway Map, Swiss Design, Poster S
Web DesignEmigre Magazine

Creative Massimo, Vignelli, Posters, Vignelli-Isms, and Isms image ideas & inspiration on Designspiration

Saved by Shelby White (@shelbywhite). Discover more of the best Massimo, Vignelli, Posters, Vignelli-Isms, and Isms inspiration on Designspiration

In the beginning, there was Italy. When a handful of furniture manufacturers formed Cosmit in Salone Internazionale del Mobile was conceived to promote homegrown talent. - Jordan Kushins's Salone Posters design collection on Dwell. Graphic Design Typography, Branding Design, International Typographic Style, Icon Design, Web Design, Massimo Vignelli, Swiss Design, Typography Logo, Letters And Numbers
Graphic Design TypographyWeb DesignLetters And Numbers

31906257585 × Der Gestaltingenieur

Visual inventory of Miguel Amaral, designer.

Massimo Vignelli-Few Basic Typefaces Exhibition & Poster New York, 1991 Massimo Vignelli, Graphic Design Layouts, Layout Design, Print Design, Michael Bierut, Design Observer, Handwritten Text, Publication Design, Packaging
Graphic Design LayoutsDesign ObserverPublication Design

32071035544 × Der Gestaltingenieur

Visual inventory of Miguel Amaral, designer.

skyline magazine design by Massimo Vignelli Paula Scher, Massimo Vignelli, Map Design, Graphic Design, Design Lab, Nyc Subway Map, International Typographic Style, New York Architecture, Swiss Design
Paula ScherDesign LabNew York Architecture

Vignelli - Todo sobre Massimo Vignelli

Blog de información sobre el diseñador italiano Massimo Vignelli. Biografía, obras, noticias, etc.

In the beginning, there was Italy. When a handful of furniture manufacturers formed Cosmit in Salone Internazionale del Mobile was conceived to promote homegrown talent. - Jordan Kushins's Salone Posters design collection on Dwell. Graphic Design Typography, Graphic Design Art, Book Design, Massimo Vignelli, Identity Art, Visual Communication, Timeless Design, Packaging Design, Words
Graphic Design TypographyBook DesignTimeless DesignWords

31906299755 × Der Gestaltingenieur

Visual inventory of Miguel Amaral, designer.

Filosofia Poster, designed by Massimo Vignelli. Typography Love, Typography Letters, Lettering, Grid Design, One Design, Massimo Vignelli, Font Shop, Type Treatments, Swiss Design
Type Treatments

Zuzana Licko and Rudy VanderLans

Zuzana Licko and Rudy VanderLans committed to publishing the graphic design journal Emigré to showcase the work that was being neglected by other design publications, either because it didn't adhere to traditional canons or it was still in its formative stages. VanderLans rejected standardized formats in favor of organic grid structures that reflected his enthusiasm toward the content. When Emigré work began to receive public attention, it was attacked for promulgating visual incoherence and…