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enamel

188 Pins
 3y
Collection by
Jessica Smith-Carlock
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Ancient Jewelry
Medieval Jewelry
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Middle Ages
Byzantine Jewelry, Byzantine Art, Medieval Jewelry, Viking Jewelry, Enamel Jewelry, Antique Jewelry, Vintage Jewelry, Ancient Jewels, Ancient Art
Byzantine Jewelry
Byzantine Art
Medieval Jewelry
Viking Jewelry
Enamel Jewelry
Antique Jewelry
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Ancient Jewels
Ancient Art
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Medieval Art, Romanesque Art, Champleve, Antique Boxes, Classic Image, Reliquary, Gothic Art
Medieval Art
Romanesque Art
Champleve
Antique Boxes
Classic Image
Reliquary
Gothic Art
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x
MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE. Medieval Period, Wooden Containers, Wooden Boxes, Religious Icons, Religious Art, Limousin, Medieval Furniture, Antique Furniture
Medieval Period
Wooden Containers
Wooden Boxes
Religious Icons
Religious Art
Limousin
Medieval Furniture
Antique Furniture
MI PARAISO ESCONDIDO: RELICUARY VERMUCLE LOUVRE.
Reliquiario Becket Medieval World, Ancient Jewelry, Santo Tomas Becket, Web Gallery Of Art, Art Sacre, Historical Art
Medieval World
Ancient Jewelry
Santo Tomas Becket
Web Gallery Of Art
Art Sacre
Historical Art
Reliquiario Becket
Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II. Religion, Jewelry Art, Crown Of Thorns, Ancient Artifacts
Religion
Jewelry Art
Crown Of Thorns
Ancient Artifacts
Reliquary Pendant for the Holy Thorn The British Museum, London Copyright © The Trustees of the British Museum The Holy Thorn, from the Crown of Thorns worn by Christ before and during the Crucifixion (Matt. 27:29), was a celebrated relic during the Middle Ages. The thorn in this reliquary may have come from the Crown of Thorns that was purchased by King Louis IX of France (St. Louis) in 1238 from the Latin Emperor of the Kingdom of Jerusalem, Baldwin II.
Scott Pirie
Scott Pirie
enamel
Reliquary Casket with symbols of 4 evangelists Limoges, Box Chest, 12th Century
Limoges
Box Chest
12th Century
Reliquary Casket with symbols of 4 evangelists
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x Painted Furniture, Wood Box Design, Ancient Pottery, Book Of Kells
Painted Furniture
Wood Box Design
Ancient Pottery
Book Of Kells
Chasse with Christ in Majesty and Apostles. ca. 1190–1200. Limoges. Copper: engraved, chiseled, stippled, gilt; champlevé enamel: blue-black, dark, medium, and light blue; turquoise, green, yellow, red, translucent red, and white. Met website.x
A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750 Medieval Dress, Jhd, Metal Detecting, Quatrefoil, 15th Century, Harness, Foliage, Bears
Medieval Dress
Jhd
Metal Detecting
Quatrefoil
15th Century
Harness
Foliage
Bears
A quatrefoil-shaped harness pendant of the medieval period (13-14 C). Cast copper alloy. It bears a decorative design consisting of a central six-petalled flower and adjoining foliage in each lobe. The flower is inlaid with blue enamel, and the field with red enamel. Most of the enamel survives, but the suspension loop is broken. 33.8mm x 29.6mm, 9.12g. UKDFD 44750
Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art Gold Jewelry, Celtic, Gold Chains For Men
Gold Jewelry
Celtic
Gold Chains For Men
Quatrilobed Plaque, c. 1300-1310 probably by Guillaume Julien (French) Gold, translucent enamel, Overall - h:4.80 w:4.80 cm (h:1 7/8 w:1 7/8 inches). The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken 1932.537 Cleveland Museum of Art
An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves Gems Jewelry, Art Deco Jewelry, Modern Jewelry, Metal Jewelry, Jewelery, Vintage Brooches, Jewelry Ideas
Gems Jewelry
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Modern Jewelry
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Jewelery
Vintage Brooches
Jewelry Ideas
An artist of great skill produced these precious enamels for a wealthy patron. They may originally have been set like jewels in an altar or a reliquary or have been sewn to textiles such as altar cloths, bishops' mitres, girdles, or gloves
#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre. Bird Jewelry, Animal Jewelry, Antique Rings, Roman Jewelry
Bird Jewelry
Animal Jewelry
Antique Rings
Roman Jewelry
#BeingRoman Copper alloy zoomorphic bird brooch. Found during excavations at the amphitheatre.
Corinium Museum
Corinium Museum
enamel
Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint The Cloisters, Arte Popular, 14th Century, Kirchen, Metropolitan Museum Of Art
The Cloisters
Arte Popular
14th Century
Kirchen
Metropolitan Museum Of Art
Reliquary Shrine, second quarter of 14th century Attributed to Jean de Touyl (French, died 1349) Made in Paris Gilt-silver, translucent enamel, paint
Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem) Roman Artifacts, Historical Artifacts, Old Jewelry, Vintage Jewellery, Ancient Rome, Ancient History
Roman Artifacts
Historical Artifacts
Old Jewelry
Vintage Jewellery
Ancient Rome
Ancient History
Dragonesque Brooch Roman Britain, 1st or 2nd century AD The ‘dragonesque’ form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native artistic taste. Dragonesque brooches were not only decorative objects, but also functional fasteners - a strongly-curved pin (missing on this example) would have held a thick fold of cloth. (Source: The British Musuem)
Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste. Ancient Key, Ancient Romans, Celtic Symbols, Celtic Art
Ancient Key
Ancient Romans
Celtic Symbols
Celtic Art
Dragonesque Brooch Roman Britain, 1st or 2nd century Ad; the form of this brooch is typically Romano-British: first appearing after the start of the Roman conquest of southern England in AD 43, but embodying native Celtic artistic taste.
Etienne
Etienne
enamel
Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling." Renaissance Jewelry, Celtic Jewelry, Aged Jewelry, Metalwork Jewelry
Renaissance Jewelry
Celtic Jewelry
Aged Jewelry
Metalwork Jewelry
Another example of a Dragonesque Romano-British brooch. From the website's description: "The underlying, abstract, Iron Age design is that of two cornucopias, joined ‘mouth to mouth’ at the centre. However, where the ‘mouths’ of the cornucopia would have butted, the ‘S’ shape has been expanded to allow for extensive enamelling."
Dawn - The Valence Casket, around 1290-1324 Antique Trunk, Renaissance Furniture, Medieval Decor, Painted Chest, Furniture
Antique Trunk
Renaissance Furniture
Medieval Decor
Painted Chest
Furniture
Dawn - The Valence Casket, around 1290-1324
Réunion des Musées Nationaux-Grand Palais - Fine Jewelry, Journal Covers Diy
Fine Jewelry
Journal Covers Diy
Réunion des Musées Nationaux-Grand Palais -
Roundel Date: 14th century Culture: French Medium: Champlevé enamel, copper-gilt Dimensions: Overall: 4 1/8 x 1/2 in. (10.4 x 1.2 cm) Classification: Enamels-Champlevé Renaissance Art, Jesus Artists, Dark Ages
Renaissance Art
Jesus Artists
Dark Ages
Roundel Date: 14th century Culture: French Medium: Champlevé enamel, copper-gilt Dimensions: Overall: 4 1/8 x 1/2 in. (10.4 x 1.2 cm) Classification: Enamels-Champlevé
Gorny und Mosch Cloisonné-Technik.11,75g, L 3,2cm. Runder Anhänger mit breiter Öse Vorderseite Büste von Christus mit Nimbus, Codex und Segensgestus, r. u. l. Inschrift: IC - ΧC (= Jesus Christus). vierblättrige Kreuzblüte, in den Zwickeln Dreiecke. Gold! Intakt. Aus Münchner Privatsammlung Zur Ikonografie: L. Wamser (Hrsg.), Die Welt von Byzanz - Europas östliches Erbe (2004) S. 155. Vergleichsstück: G. Haseloff, Email im frühen Mittelalter (1990) S. 69 Abb. 44c.
Gorny und Mosch Cloisonné-Technik.11,75g, L 3,2cm. Runder Anhänger mit breiter Öse Vorderseite Büste von Christus mit Nimbus, Codex und Segensgestus, r. u. l. Inschrift: IC - ΧC (= Jesus Christus). vierblättrige Kreuzblüte, in den Zwickeln Dreiecke. Gold! Intakt. Aus Münchner Privatsammlung Zur Ikonografie: L. Wamser (Hrsg.), Die Welt von Byzanz - Europas östliches Erbe (2004) S. 155. Vergleichsstück: G. Haseloff, Email im frühen Mittelalter (1990) S. 69 Abb. 44c.
Byzantine Antependium, Altar cloth, 12th century Basilica San Marco; Venice, Italy Byzantine Empire, Byzantine Icons, Christian Artwork
Byzantine Empire
Byzantine Icons
Christian Artwork
Byzantine Antependium, Altar cloth, 12th century Basilica San Marco; Venice, Italy