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This is the best advice on writing dialogue I've seen tbh. Also short and easy to understand!

This is the best advice on writing dialogue I've seen tbh. Also short and easy to understand!

As important as it is to create lovable, relatable, fascinating protagonists, it’s every bit as important to create antagonists who can stand in your character’s way, prevent him from reaching his goals, and, as a result, create conflict.

As important as it is to create lovable, relatable, fascinating protagonists, it’s every bit as important to create antagonists who can stand in your character’s way, prevent him from reaching his goals, and, as a result, create conflict.

Why I Write Pulp Fiction by James Scott Bell

Why I Write Pulp Fiction by James Scott Bell

Find out these two vital keys your dialogue needs! www.raeelliottbooks.com

Find out these two vital keys your dialogue needs! www.raeelliottbooks.com

Answer all these questions and you should have a fully-developed character for your audience to connect with. A strong character can carry a weak plot; but a strong plot can’t carry weak characters

Answer all these questions and you should have a fully-developed character for your audience to connect with. A strong character can carry a weak plot; but a strong plot can’t carry weak characters

13466113_1060237740696902_8238415445875977594_n.png (533×652)

13466113_1060237740696902_8238415445875977594_n.png (533×652)

If you're blogging, this read is valuable and an excellent tool!

If you're blogging, this read is valuable and an excellent tool!

Sarah Waters' Ten Rules for Writing Fiction

Sarah Waters' Ten Rules for Writing Fiction

Hunter S. Thompson at work in his ranch in Aspen, 1976 / Photos of writers and their typewriters

Hunter S. Thompson at work in his ranch in Aspen, 1976 / Photos of writers and their typewriters

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