Preskúmajte tieto a ďalšie námety.

After Lu Dongbin became immortal he denounced all worldly ambition.

After Lu Dongbin became immortal he denounced all worldly ambition.

The Printed Image in China, 8th–21st Century

The Printed Image in China, 8th–21st Century

Painting showing Kṣitigarbha in the centre, seated on a rock under a canopy, holding a staff and a cintamani (flaming jewel). At the two sides are the Ten Kings of Hell, each one seated behind a desk like a magistrate, flanked by assistants. Before the Bodhisattva stands the monk Daoming with his lion, and an ox-headed jailor leading the soul of a man wearing a cangue, who is viewing his sins in a mirror. Blank cartouches stand on alternate sides of the Ten Kings. Two inscribed cartouches…

Painting showing Kṣitigarbha in the centre, seated on a rock under a canopy, holding a staff and a cintamani (flaming jewel). At the two sides are the Ten Kings of Hell, each one seated behind a desk like a magistrate, flanked by assistants. Before the Bodhisattva stands the monk Daoming with his lion, and an ox-headed jailor leading the soul of a man wearing a cangue, who is viewing his sins in a mirror. Blank cartouches stand on alternate sides of the Ten Kings. Two inscribed cartouches…

Beijing

Beijing

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Fragment of a very  large painting about Buddha Sakyamuni preaching at the Vulture Peak. The Buddha is recognisable by the long arm extending downward on the right, the only part of the figure which survives. Behind the Budhha, a rocky background with several birds, including a vulture. The main part of the fragment shows the monk Liu Sahe and, on the left-hand side, several scenes from the story of the miraculous Buddha image of Mount Yugu. Ink and colours on silk.

Fragment of a very large painting about Buddha Sakyamuni preaching at the Vulture Peak. The Buddha is recognisable by the long arm extending downward on the right, the only part of the figure which survives. Behind the Budhha, a rocky background with several birds, including a vulture. The main part of the fragment shows the monk Liu Sahe and, on the left-hand side, several scenes from the story of the miraculous Buddha image of Mount Yugu. Ink and colours on silk.

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Large painting showing the Paradise of Śākyamuni in a Chinese architectural setting. The composition is simple and uncluttered, with the principal figures standing prominently against the background. Śākyamuni is seated on the top level. Below him are musicians and dancers, and further below is seated the Cosmological Buddha, Vairocana. At the bottom are female and male donor figures. The figures are symmetrically arranged in tiers in an architectural framework. The side scenes illustrate…

Large painting showing the Paradise of Śākyamuni in a Chinese architectural setting. The composition is simple and uncluttered, with the principal figures standing prominently against the background. Śākyamuni is seated on the top level. Below him are musicians and dancers, and further below is seated the Cosmological Buddha, Vairocana. At the bottom are female and male donor figures. The figures are symmetrically arranged in tiers in an architectural framework. The side scenes illustrate…

花销葱岭雪_图2

花销葱岭雪_图2

Ming lady

Ming lady

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