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IMPROVISATION #29 (THE SWAN), 1912 Oil on canvas Philadelphia. USA. Philadelphia Museum of Art In 1908-1909, after fully understanding and being through with symbolism and fauvism, Kandinsky begins getting rid of any art movements’ influences and, groping, finds his own way. This process, first of all, meant for him freeing the colour, shapes and lines from concreteness. People, houses and landscapes in his paintings become less and less recognizable, more and more abstract. First Abstract…

IMPROVISATION #29 (THE SWAN), 1912 Oil on canvas Philadelphia. USA. Philadelphia Museum of Art In 1908-1909, after fully understanding and being through with symbolism and fauvism, Kandinsky begins getting rid of any art movements’ influences and, groping, finds his own way. This process, first of all, meant for him freeing the colour, shapes and lines from concreteness. People, houses and landscapes in his paintings become less and less recognizable, more and more abstract. First Abstract…

Theo van Doesburg

Theo van Doesburg

Wassily Kandinsky

Wassily Kandinsky

Henri Matisse, Nude Among the Waves, 1938

Henri Matisse, Nude Among the Waves, 1938

Wassily Kandinsky [1866-1944]

Wassily Kandinsky

Wassily Kandinsky [1866-1944]

Kandinsky abstract music paintings + instrument. Done by my students last year to prepare for their symphony field trip.

Kandinsky abstract music paintings + instrument. Done by my students last year to prepare for their symphony field trip.

Sketch for Composition II (Skizze für Komposition II), 1909-10

Kandinsky

Sketch for Composition II (Skizze für Komposition II), 1909-10

victor vasarely

victor vasarely

Wassily Kandinsky – Free, 1927

Wassily Kandinsky – Free, 1927

f.t marinetti's words in freedom movement | ... , termiche ( Words-in-freedom: olfactory, tactile, thermal ), 1932

f.t marinetti's words in freedom movement | ... , termiche ( Words-in-freedom: olfactory, tactile, thermal ), 1932

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