Hajime Sorayama’s porny futurism is one of those 1980’s aesthetics that is somehow simultaneously hilarious yet incredibly impressive. The cheeky pin-up “gynoids” are so sleek and gorgeous—but so utterly ridiculous—it’s difficult to tell if the work is actually fetish or satire or some combination of both—although his years illustrating more “conventional” fetish art for Penthouse and Playboy suggest some interest in niche lusts. When asked last year in an interview about some of his favorite work, Sorayama replied: I do have a few, actually. Penthouse started to run the section called “Great American Pissing...
