Steven Parrino. This made me consider the possibility of using a board as the basis for my sculpture, and create something low-relief. My figure would be restricted by its dependency on the canvas, but also free and progressing away from that - moving outwards away. Maybe this way I wouldn't need the human figure to demonstrate my point? It could be the contrast between stability and the rigid square pinned to the wall, with the loose turns of the fabric folding outwards into the room.